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Joaquín Rodrigo. Concert works
The National Orchestra of Spain presents the release of its newest recording, a double-CD conducted by Juanjo Mena. Friday, November 19th at 1:30pm. Salón de tapices of the Auditorio Nacional de Música de Madrid.
Works: Concierto en modo galante and Concierto como un divertimento, for cello and orchestra. Soloist, Asier Polo. Concierto serenata and Sones en la Giralda, for harp and orchestra. Soloist, Marie-Pierre Langlamet. Triptíc de Mossèn Cinto, for soprano and orchestra. Soloist, Raquel Lojendio Concierto de estío, for violin and orchestra. Soloist, Laura Salcedo. Homenaje a la Tempranica, orchestral work.
Ediciones Joaquín Rodrigo present at the international fair, Cremona Musica, which will be taking place on September 23rd, 24th and 25th, 2022.
NOW AVAILABLE:Joaquín Rodrigo a través de sus escritos (Joaquín Rodrigo through his writings)
This is a publication of the famous composer’s literary work, his astonishing culture and erudition, profound knowledge of the musical world, rich expressivity, originality and quality of his writings, his sense of humor, the beauty of his metaphors, the clarity of his ideas and hisrefined personality.
288 Pages Retail Price: 19,95€
Concert at the Victoria and Joaquín Rodrigo Foundation
Guitarist, Julia Trintschuk, who is in Madrid for a recital performance, played works by Joaquín Rodrigo for Cecilia and Javier Suarez Pajares.
Cremona Mondomusica, in Italy, is a fair that welcomes every year the most important luthiers and other manufacturers of quality musical instruments and that reserves a space for the dissemination of the musical repertoire through music publishers. For the first time a Spanish representation of classical music publishers, all of them from AEDEM, has been present at this important international fair. It has been thanks to the support of the SGAE Foundation, with the collaboration of the National Institute of Performing Arts and Music (INAEM), under the umbrella of the SOUND FROM SPAIN platform. We have had a bright stand where we have been able to exhibit our publications for their dissemination among the interesting specialized public present at the fair. The experience has been very positive. We publishers have been able to verify that our repertoire and our publications arouse great interest among Italian performers and teachers. We are also grateful to the Italian publishers who have welcomed us with affection, and we hope to be able to repeat it next year.